Part of
The aim of this collection is to contribute to the forging of a more robust, politically useful, and theoretically elaborate understanding of working-class literature(s).
These essays map a substantial terrain: the history of working-class literature(s) in Argentina, Denmark, Germany, Japan, Singapore, South Africa and Ireland. Together with the essays in a previous volume – which cover Russia/The Soviet Union, The USA, Finland, Sweden, The UK, and Mexico – they give a complex picture of working-class literature(s) from an international perspective, without losing sight of national specificities.
By capturing a wide range of definitions and literatures, the two volumes give a broad and rich picture of the many-facetted phenomenon of working-class literature(s), disrupt narrow understandings of the concept and phenomenon, as well as identify and discuss some of the most important theoretical and historical questions brought to the fore by the study of this literature.If read as stand-alone chapters, each contribution gives an overview of the history and research of a particular nation’s working-class literature. If read as a whole (which we hope you do), they contribute toward a more complex understanding of the global phenomenon of working-class literature(s).
Book Details
By invoking Flora Nwapa, this monograph draws attention to Nigerian women writers in world literature, with an emphasis on femininity and spirituality. Flora Nwapa’s Efuru (1966) was the first internationally published novel in English by a female African writer. With the establishment of Tana Press in 1977, Flora Nwapa also became the first female publisher in Africa. Although Flora Nwapa has been recognized as the ‘mother of modern African literature’, she is not sufficiently acknowledged in world literary canons or world literature studies, which is something this monograph aspires to redress, with the help of earlier studies, especially Nigerian scholarship. Drawing on the Efuru@50 celebration in Nigeria in 2016, this book explores the revival of Flora Nwapa’s fame as the pioneer of African women’s literature. Using an ethnographic rather than biographical approach, it captures Flora Nwapa’s literary practice in the context of the Nigerian literary scene and its interlinkages with world literature. The ethnographic portrayal of Flora Nwapa is complemented with an exposé of a select number of contemporary Nigerian women writers, based on interviews during fieldwork in Nigeria. The book uses concepts like creolized aesthetics and womanist worldmaking to advance scholarly understandings of world literature, which is conceived here as a pluriverse of aesthetic worlds.
Exploring experimental ethnographic writing, the book combines the genres of creative non-fiction, descriptive ethnography and scholarly analysis, in an effort to make the text more accessible to academic as well as non-academic readers. Through travel notes the experience of fieldwork is shared in a candid manner. Detailed ethnography from the Efuru@50 literary festival is presented to show the expansion of Flora Nwapa’s fame. In-depth analyses of Flora Nwapa’s literary works and the cultural context of her literary practice cover a wide range of themes, from feminine storytelling and children’s literature, to publishing and digitalization. The theoretical discussion draws on anthropological, literary and African womanist theory to contextualize and explore the central themes of femininity and spirituality in world literature.
Inspired by the social change perspective of African womanism and critical decolonial theory, the book makes a contribution to current efforts to explore a more socially just and environmentally sustainable world of many worlds. Paying close attention to gender complementarity and sacred engagements in Flora Nwapa’s literary worldmaking, it shows how world literature can help us create other possible worlds of human, spiritual and environmental coexistence.
Book Details
This is the fifth and final volume of lectures on textual criticism and classical philology - broadly understood - given within the framework of the Ars edendi research programme (2008-2015).
Two of the six papers in this volume stem from a 2015 workshop on editorial theory and method, the theme of which dealt with fragments and the writing of commentaries. As regards the former, S. Douglas Olson problematizes the creation and continuation of scholarly knowledge concerning texts that have only come down to us in a fragmentary state, emphazising the challenges and pitfalls that lay in wait for the editor. Benjamin Millis offers a nuanced homage and apology for the traditional text edition with a scholarly commentary, especially underscoring its importance as a connective pathway between text and reader as well as the impetus it can give to scholarly research.
The other four lectures were given at the concluding conference of the Ars edendi programme, held in August 2016. In a case study Cynthia Damon shares her reflections on how to digitally edit Pliny’s Natural History in a form that will provide this work’s rich reception history and at the same time its extensive use of sources, many of which are now lost. The digital component is also prominent in Odd Einar Haugen’s contribution in which he shows that digital mark-up is also an editorial enterprise and how it can be useful for the textual scholar. Dorothea Weber gives an insider’s view of the Corpus Scriptorum Ecclesiasticorum Latinorum, an editorial project on-going since 1864, and especially how improved cataloguing has led to numerous discoveries of texts by St. Augustine. As a conclusion to the volume, David Greetham, one of the founders of the Society for Textual Scholarship, reflects on three different methods for editing texts that have undergone various degrees of rescription, namely the oeuvres of Eriugena, Coleridge, and Eliot.
Book Details
Att analysera framväxten av ett professionellt fält innebär att förstå de sociala processer som pågår i bildandet av professioner i samhället som t.ex. kunskap, makt och social ordning. Varför har läkaryrket så hög status? Hur kommer det sig att vissa yrken har makt över andra? Vad bidrar den medicinska vetenskapen med till det professionella kunnandet? Det är några av frågorna som denna bok försöker besvara genom en professionssociologisk analys.
Boken handlar om det svenska medicinska fältets framväxt och professionalisering från medeltid till 1990-tal, med fokus på tre av dess yrken som varit aktiva där nämligen läkare, sjuksköterskor och biomedicinska analytiker (tidigare laboratorieassistenter). Böcker som handlar om professioner har ofta fokus på ett yrke eller en viktig institution men det finns ingen bok som beskriver det större sociala professionella medicinska fältet över tid.
Genom att få kännedom om de fältspecifika förändrings- och utvecklingsprocesserna och deras tröghet förstår man att förändring går mycket långsamt och att det är många parametrar som ska verka i samma riktning för att en reell förändring ska ske och märkas. Andra viktiga insikter är att professionerna i sig inte är så starka och handlingskraftiga utan att de är beroende av att möjligheter öppnas och stängs av externa krafter, i många fall utan deras inblandning. Boken belyser hur man kan förstå sin omvärld på ett nytt sätt , med ett kritiskt helhetsperspektiv och med en terminologi som kan hjälpa till att sätta ord på det som upplevs.
Book Details
Anarchism and religion have historically had an uneasy relationship. Indeed, representatives of both sides have regularly insisted on the fundamental incompatibility of anarchist and religious ideas and practices. Yet, ever since the emergence of anarchism as an intellectual and political movement, a considerable number of religious anarchists have insisted that their religious tradition necessarily implies an anarchist political stance.
Reflecting both a rise of interest in anarchist ideas and activism on the one hand, and the revival of religious ideas and movements in the political sphere on the other, this multi-volume collection examines congruities and contestations between the two from a diverse range of academic perspectives.
The third volume of Essays in Anarchism & Religion includes five essays focusing on particular individuals (Abraham Heyn, Leo Tolstoy, Herbert Read, Daniel Guérin and Martin Buber), one essay on the affinities between mysticism and anarchism, and one surveying the vast territory of ‘spiritual anarchism’.
In a world where political ideas increasingly matter once more, and religion is an increasingly visible aspect of global political life, these essays offer scholarly analysis of overlooked activists, ideas and movements, and as such reveal the possibility of a powerful critique of contemporary global society.
Book Details
This book aims to investigate the taking and giving of hostages in peace processes during the Viking Age and early Middle Ages in Scandinavia and adjacent areas. Scandinavia has been absent in previous research about hostages from the perspectives of legal and social history, which has mostly focused on Antiquity (the Roman Empire), Continental Germanic cultures, such as the Merovingian realm, and Anglo-Saxon England.
The examples presented are from confrontations between Scandinavians and other peoples in which the hostage giving and taking was displayed as a ritual act and thus became symbolically important. Hostages were a vital part of the peace processes and used as resources by both sides in the ‘areas of communication’ within the ‘areas of confrontation’. Literary texts as well as runic inscriptions, picture stones, place names, and personal names are used as source material.
‘It is a work of very high academic quality. It is based upon meticulous and thorough studies of a great variety of sources. The author has definitely a very good knowledge of the source material. It is a very good study of a previously neglected research field.’ — Thomas Lindkvist, Professor emeritus, University of Gothenburg
Book Details
The authors of the present volume, Myth, Materiality, and Lived Religion, focus on the material dimension of Old Norse mythology and the role played by myths in everyday life. More broadly expressed, the collection looks at the social, ceremonial and material contexts of myths. This topic has been underexplored in previous research on Old Norse myths, despite its important theoretical implications. However, discussions around materiality, in a more general sense, have for a long time been significant for historians of religion, especially archaeologists. Myth, Materiality, and Lived Religion seeks to make the case for the relevance of materiality to literary historians and philologists as well.
Questions relating to the theme of materiality and lived religion are posed in this book, including:
• What do myths tell us about the material culture of the periods in which they were narrated?
• What role did myths or mythical beings play in connection to, for instance, illnesses and remedies during the Viking Period and the Middle Ages?
• How did ordinary people experience participation in a more formal sacrificial feast led by ritual specialists?
The editors of this book are all associated with the Department of Ethnology, History of Religions and Genders Studies at Stockholm University, Sweden.
Book Details
Den här boken tar upp två forskningsfält och kopplar ihop dem: kontrastiva studier och tredjespråksinlärning. Fokus i boken ligger på beskrivningen av ett antal språkstrukturer i nederländska och svenska som inte har behandlats kontrastivt tidigare: rumsliga uttryck för befintlighet och riktning, kopulaverb och deras kategorisering, opersonlig passiv och opersonliga konstruktioner samt positionsverben stå, sitta, ligga och motsvarande verb på nederländska.
Hur kan man föra samman klassisk kontrastiv analys och tredjespråks-inlärning? De två närbesläktade språken nederländska och svenska är inga typiska skolspråk som man lär sig i unga år i grundskolan och på gymnasiet, utan inlärare kommer framför allt i kontakt med dem som tredje språk och i vuxen ålder. Det innebär att inlärarna redan har kunskap i tidigare inlärda språk och ofta har utvecklat viss meta-lingvistisk och tvärspråklig medvetenhet. Vad innebär det? Det betyder att flerspråkiga språkbrukare i högre utsträckning än enspråkiga språkbrukare ”kan tala och resonera om språket själv, dess struktur och funktion” och även har ”specifik kunskap om hur två eller några språks strukturer förhåller sig till varandra” (s. 8). Vid inlärningen av ett tredje språk ska man alltså se tidigare inlärda språk som en resurs, speciellt de språk som är närbesläktade. Genom att studera språkliga strukturer kontrastivt kan man som inlärare fördjupa sin tvärspråkliga medvetenhet. Vilka språkliga strukturer i det tredje språk som jag lär mig liknar strukturer som finns i mitt första eller andra språk? Vilka språkliga strukturer i tredje språket liknar däremot inte strukturer i tidigare inlärda språk? Sådana strukturer kan kräva mer uppmärksamhet. Tvärspråklig medvetenhet är således en viktig inlärningsstrategi.
Annika Johansson är universitetslektor i nederländska vid Stockholms universitet. Hon forskar om kontrastiv semantik, tredjespråksinlär-ning och tvärspråklig medvetenhet som didaktiskt redskap. Hennes forskningsprojekt anknyter även till hennes undervisning i nederländsk språkfärdighet vid Stockholms universitet.
***
This book deals with two research fields and brings them together: contrastive linguistics and third language acquisition. The book describes the following linguistic structures in Dutch and Swedish from a contrastive perspective: spatial adverbs, copula, impersonal passives, impersonal constructions and finally the posture verbs stand, zit and lie. Dutch and Swedish are usually acquired as a third language and not as a second language, which implies that learners already comprehend various other languages. When learning a language these multilingual learners have developed certain strategies which draw on their competence in earlier studied languages. In the process of learning a third language, metalinguistic and cross-linguistic awareness play an important role. Comparing linguistic structures in two closely related languages as Dutch and Swedish can enhance cross-linguistic awareness and therefore be used as a didactic tool.
Book Details
The authors of this edited volume focus on the emergence of populist discourses, coming from movements or parties from Romance-speaking countries in Europe and in Latin America. By combining linguistics, social and political sciences in a discourse analytical approach, the sixteen papers enlighten the mechanisms behind populist discourses yielding from different socio-cultural and political contexts. The common denominator of the studies is the focus on the discursive and rhetorical characteristics of recently emerged movements of populism in both continents. Investigating expressions of these political movements is highly relevant in today’s society, where the growing number of populist discourses has become a pre-eminent issue, alongside people’s increasing insecurity regarding future political and environmental challenges. The primary audience of this volume are researchers working in the fields of political discourse analysis; however, this book may benefit anybody with interest in language in politics.
*******
‘This volume will be a valuable contribution to the study of populist discourse at the political extremes. It hardly needs to be mentioned that this is one of the most topical issues in political discourse throughout the world today. The specifics of populist discourse are often misunderstood, so I have found this volume enlightening and helpful to increasing my own understanding.’ — Rodney Williamson, University of Ottawa
‘The anthology provides indeed a fine analysis of discourses connected to different socio-cultural and political contexts […] Since it brings together researchers specialized in media and political discourse analysis, it contributes to a large extent to promote a deeper understanding of current political discourses and extremist ideologies.’ — Ana Pano Alamán, University of Bologna
Book Details
Den här boken handlar om ett begrepp som förekommer överallt i olika sammanhang, men som också är ett av de vanligaste specialiserade begreppen inom humanistisk forskning: kontext.
Betydelsen och bruket av detta begrepp skiftar dock mellan olika vetenskaper – och ibland inom en och samma vetenskap – vilket gör en strikt teknisk definition omöjlig. Vad de olika bidragen i denna antologi försöker göra är istället att uppmärksamma och visa på hur begreppet kan användas i vetenskapliga tolkningar. I direkta tillämpningar av begreppet i konkreta tolkningar av bilder, byggnader och platser från olika historiska perioder, påvisar författarna hur olika kontexter påverkar tolkningarnas förmåga att skapa mening och kunskap. Den tolkande handlingen innebär alltså olika former av kontextualisering.
Boken riktar sig i första hand till studenter i konstvetenskap och andra ämnen där frågor om visualitet och visuella praktiker är centrala. Utgångspunkten är att boken inte bara ska ge en teoretisk förståelse av begreppet utan framförallt peka ut vägar och möjligheter till praktisk tillämpning.
Det här är andra volymen i Teoretiska tillämpningar i konstvetenskap, som ingår i serien Basic Readings in Culture and Aesthetics.
Redaktör för boken är Hans Hayden, professor i konstvetenskap på Institutionen för kultur och estetik vid Stockholms universitet.
***
This book is about a concept which is constantly used in many different ways, but also one of the most common concepts in humanities: context. However, the significance and use of this concept shifts between disciplines, and sometimes within the same discipline.
All chapters in this edited volume address a concrete situation where this concept is used. The authors demonstrate how it can be applied in interpretations of images, buildings and places from different historical periods, and how it affects the ability to create meaning and knowledge. The interpretative action thus entails different forms of contextualisation.
The book is primarily addressed to students of art history and others who take an interest in questions of visuality and visual practices. Offering not only a theoretical understanding of the concept, it strives to point out ways and possibilities of the practical use of contextualisation.
This book constitutes the second volume of Theoretical Applications in Art History, which forms part of the series Basic Readings in Culture and Aesthetics.
Book Details
